![]() ![]() When asked if he's ever been criticized for his frankly shocking images of black characters, Crumb replies that the only ones to complain have been white liberals. His work frequently touches on repellent themes. Zap comix teemed with racist and sexually perverse imagery - one Crumb character looked like a walking testicle. Although Crumb was the master of many styles his most iconic work looked something like illustrations from old Segar Popeye comic strips, with themes that dipped straight into the suppressed unconscious: racism, scummy sex, societal taboos, paranoia and the seething rage of the unwashed. A couple of years later in college we discovered Crumb's amazing artwork in Zap comix, which clearly came from a mind completely unrestrained by conventional morality. ![]() In 1968 every kid in the country came in contact with Crumb's cover art for Big Brother and the Holding Company's album Cheap Thrills. It would be harder to imagine a more contentious subject than Robert Crumb, the artist and cartoonist who more or less created the Underground Comix movement with his highly idiosyncratic and frequently pornographic depictions of the seamy side of the American mentality. It required extreme patience from its director Terry Zwigoff, who was close friends with his subject yet clearly had to do a lot of convincing to secure his cooperation. ![]() 1995's Crumb involved years of filming and waiting. Barbara Kopple decided to investigate Harlan County, U.S.A. When they started Gimme Shelter the Maysles brothers thought they were making a conventional backstage concert film. Truly transcendent documentary films often seem the result of sheer serendipity, the choice of just the right subject at the perfect time. Produced by Lynn O'Donnell, Terry Zwigoff With Robert Crumb, Aline Crumb, Charles Crumb, Maxon Crumb. 1995 / Color / 1:33 enhanced widescreen / 120 min. ![]()
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